For more than 30 years, David Bacon has been writing about and photographing people who are displaced by poverty in Mexico and choose to cross into the United States in search of a better life. David writes: “For me, photography is a cooperative project. For over a decade, I’ve worked with the Binational Front of Indigenous Organizations, a Mexican migrant organization, and California Rural Legal Assistance to document this contradiction. The photographs shown on the border wall, ‘En los Campos del Norte (In the Fields of the North),’ are drawn from this long-term project.
They show poverty, the lack of housing for many people, and the systematic exploitation of immigrant labor in the fields. But through the photographs and accompanying oral histories, migrants also analyze their situation. They demand respect for their culture, basic rights, and greater social equality.
People in Tijuana are pretty familiar with working conditions in California, and most people I met looking at the show had actually been there, many as workers. The images, therefore, underline the need to change reality, and appreciate our mutual humanity and the importance of our labor. For three decades, I’ve used a method that combines photographs with interviews and personal histories. Part of the purpose is the “reality check”—the documentation of social reality, including poverty, homelessness, migration, and displacement. But this documentation, carried out over a long period of time, also presents some of the political and economic alternatives proposed by people who are often shut out of public debate. It examines their efforts to win the power to put some of these alternatives into practice. I believe documentary photographers stand on the side of social justice—we should be involved in the world and unafraid to try to change it.”