Jay Michaelson

World’s first Chassidic Reggae superstar off the derech.

The paranoid few who seem genuinely disturbed by the possibility of the coming end of the world may be responding the most reasonably to current events. Or not. This ambiguity is at the heart of Jeff Nichols’ recent film Take Shelter. The film explores whether its protagonist is crazy, or a prophet, or both.

Reparative therapy—neither reparative nor therapy—is the lie that will not die.