Paul Harvey

Has there ever been a major pop group more concerned with exploring personal anxieties, aspirations, and narratives through music defined so fundamentally by religious themes? The turmoil and paranoia of the last decade—wars, attacks, economic crashes, myriad color-coded fears—run through Arcade Fire’s three full-length records. The newest effort induces a look back to previous decades, when suburbia seemed to offer placidity and refuge from the wilderness downtown.

The Tea Party-inspired constitutional recitation of January 6 immediately ran into the problems any fundamentalism has with sacred scripture: what do you do with the parts that speak to the original intent of an entirely different era—stoning adulterers, casting down fire on one’s enemies, selling all one’s possessions and giving to the poor, requiring the return of runaway slaves, and counting slaves as three-fifths of a person for the purposes of taxation and representation?

National Public Radio may soon be under real assault from Republican lawmakers, if Fox News Chairman Roger Ailes’ comments about “liberal Nazis” are any indication. A congressman from Colorado Springs, Doug Lamborn is leading the charge.