The deadly “dance plague” of 1518 took place in a rapidly changing world where suddenly old verities were in question and a new media brought all manner of unconfirmed, superstitious ideas. Sound familiar?
A younger Paul Schrader might have chosen to end this film, which many critics are calling his masterpiece, in apocalyptic violence. But I don’t think it’s quite right to conclude that Schrader has simply mellowed in his eighth decade.
Warning: numerous spoilers ahead. “Who will release me from the body of this death?” This question, posed rhetorically in Paul’s Letter to the Romans, has become a real question for the Rev. Ernst…
President Donald Trump recently led a ceremony on National Prayer Day, just a day after his lawyer admitted in a television interview that, contrary to previous declarations, the president had indeed…
It’s not that Republican politicians and strategists had become convinced of critical theory’s questioning of how scientific knowledge is produced. It’s that their desire to undercut the “realist attitude” and their love of uncertainty about the true had appeared to strangely dovetail with some postmodern theorists.
The following is an exclusive excerpt from Kaleidoscope, a podcast featuring conversations on religion with the people often left out of conversations on religion and politics hosted by Deborah Jian…
What inspired you to write Visions of Sodom: Religion, Homoerotic Desire, and the End of the World in England, c. 1550-1850 ? There is a great book by Paul Hallam called the Book of Sodom (Verso, 1995…
The Trumpocalypse began a year ago today. That means it’s time to check in with the working-class white voters who flipped the Rust Belt for now-President Donald Trump last November 8. As Michael…