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There are many stories on which a Mormon is raised: narratives of the elect, America and the Constitution, the latter days, and free agency—all of which play a role in Mitt Romney’s “severe” conservatism.

Why on earth is an orthodox Jew pushing a turbaned Muslim man in a wheelchair on the cover of Charlie Hebdo, the French baby-boomers’ favorite satirical magazine? Don’t bother looking for any deep symbolism—you won’t find it.

Joel Osteen says gays are not “God’s best,” but who is? Biblical examples are sketchy.

Pending Florida excommunication court presses issues far deeper than partisanship.

Reflections on #MuslimRage. “” ’

Even if Jesus were married, he would still be very different from us.

“Atheism+” formed to address social justice problems in the atheist community, but it may have to reckon with religion.

For many Americans, the Muslim world is dangerous. It is a place mired in the thick sludge of the past, peopled by exotic and prickly foreigners who, at any slight however real or perceived, fly off into a mad rage. It is irrationality’s last refuge, a museum shop of medieval horrors that has somehow survived the rest of the planet’s transition to the 21st century. Recent events might seem to only confirm this assessment. A fair-minded observer might plausibly ask, “Are Muslims nuts?” Although, to be entirely fair-minded, for the thousands who did protest against “The Innocence of Muslims,” well over a billion and a half did not.

Many (obviously) look to religion for answers. Not me. Even if I consider myself somewhat religious, I have a hard time accepting the life-after-death claims of my own religion, Judaism. The dilemma is not uncommon: Although 80-90% of Americans believe in God, some 25-50% do not believe in life after death (the numbers depend on the study). So when considering death, many of us turn to less spiritual pursuits. Two recent books attempt exactly that: to explore the nature and meaning of death without religious filters. Shelly Kagan’s Death uses philosophy to define mortality and how best to live with the knowledge of it; Dick Teresi’s The Undead explores how science and technology is changing how we define death—and not for the better.