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Elsewhere on the interwebs, people have considered which religious figures would or would not be joining the drum circle at their local Occupy encampment, were they alive today. Jesus? Ghandi? But what about other religious figures? A religion-nerdy parlor game…

Film premieres tonight in Des Moines.

World magazine names Alan Chambers of Exodus international “Daniel” of the year.

So-called “workplace spirituality” teaches people that the anxieties associated with global capital are inevitable, even part of the natural order of things. Under the highly deregulated conditions that prevail in the twenty-first century, individuals struggle against constant job insecurity. In this socioeconomic stew, workplace spirituality offers the individual a stable community where ultimate meaning and purpose become anchored to his or her place of employment. Workers feel more fulfilled and empowered on the job, and, therefore, will freely work harder and more productively, the theory goes, while ignoring more material concerns such as declining wages and diminishing benefits. Workplace spirituality neatly legitimates globalization while muffling its psychological effects.

World’s first Chassidic Reggae superstar off the derech.

One sign of success is leaving your mark on society, making an impact; being famous brings you out of the anonymous masses and bestows celebrity, a status that affords you to an afterlife that most will never achieve; individual biographies of lives lived are more compelling than questions of postmortem judgment or the possibility of reincarnation—these lists of the dead convey profound lessons about what counts in life to the living in twenty-first century America. And nothing teaches a profound moral lesson like a corpse.

Or, homebrew scientism…

His cross-denominational fearmongering.

The All American Muslim advertising debacle.

The paranoid few who seem genuinely disturbed by the possibility of the coming end of the world may be responding the most reasonably to current events. Or not. This ambiguity is at the heart of Jeff Nichols’ recent film Take Shelter. The film explores whether its protagonist is crazy, or a prophet, or both.