This is a world in which all the dials are turned up to 11—there’s more risk, more conflict, more drama. It’s a world where a few men have over 100 children apiece. One guy has over 250. Drab or dismal it’s not.
If bloodthirsty undead zombie action isn’t usually your thing, you might be temped to pass on Stake Land. But like Danny Boyle’s 28 Days Later and Let the Right One In, the brilliant reworking of vampire tropes by Swedish novelist-screenwriter John Ajvide Lindqvist, Stake Land upends many of the expectations moviegoers are likely to bring to a genre film. It also makes grimly imaginative and occasionally audacious use of some of the religious and political themes threading through contemporary American culture.
Reflecting on Sai Baba’s life, one encounters moments of divine transformation, devotion, and public service as well as pain, death, and heinous accusations. Millions of devotees believed in and worshiped Sai Baba as a god-man, an avatar of God. Many also despised him as a charlatan, a sexual abuser, and even an accessory to murder.